The mysterious “we” may be Hofmannsthal's recognition of his participatory role in using art as an escape. Furthermore, the oxymoronic juxtaposition of “early, sad and tender, /The comedy of our spirit” (lines 65-60) indicates the uncertain and anxious state of mind that afflicts the liberal class. Furthermore, Hofmannsthal reiterates the shortcomings of the garden, where the beautiful patina of the garden wears away over time – “Ugly things in beautiful shapes” (line 62). Furthermore, “Half-felt feelings secretly felt” (line 64) provides a link to Anatol, as it encapsulates the titular character's semi-involvement with