In this essay I will write about the iconic change in the approach to Modernism, of works of art associated with the adaptation of the value of tradition. Although modernism is believed to have emerged in the late 19th century, modernist arts can be placed before 1863, the year Édouard Manet showed his paintings at the Salon des Refusés in Paris. The beginning that incorporated the concepts and ideologies that developed modernism has clear connections with the Enlightenment and even with the French Revolution of 1789 which eradicated the control of the French royal family which for centuries was recognized without doubt as the head of the society that will be decapitated by the paradigm shift of public political and social consciousness, the awareness of that understanding of social balance and how art can actually change that balance using unconventional experimental methods of art changing the perceptions of viewers ideologies of that that it is art is clearly demonstrated in modernism. Created in the period from 1860 to 1970, this ear demonstrates the change in artistic viewpoints from traditional art created to a modern form of artwork, what put aside the traditional way of practicing for more experimental ways the modernist artist tested revolutionary ways of creating art with new concepts and ideologies. The impact of the First World War and the economic uncertainty that followed led to the rejection of representational art and symbolic work to transform the viewer's perception to become endorsing the concept of three-dimensional misrepresentation of reality. The painting was created in the late 19th Edvard Munch is an extremely influential modernist artist, an avant-garde technique focused... at the center of the paper... de movement however due to the unconventional methods and political views they had a great effect on social life as they were depicted as someone outside the norm Bohemianism. Works Cited“I will no longer paint interiors with men reading and women knitting. I will paint living, breathing, feeling, suffering and loving people. ("Impressions from a Dance Hall, New Year's Eve in St. Cloud" also called "The St. Cloud Manifesto" (1889)"I was walking down the street with two friends. The sun was setting. I felt a whiff of melancholy - All' suddenly the sky turned blood red. I stopped and leaned on the railing, deathly tired – Looking beyond the flaming clouds that hung like blood and a sword over the blue-black fjord and the city – I stood there, trembling with fear and felt a great, infinite cry crossing nature.” (Munch, 1892)