Berry Jenkins' intimate film Moonlight follows the struggle of a sensitive young black man as he tries to grapple with his society's expectations of masculinity and identity. Moonlight was loosely adapted from an unpublished work by Tarell McCraney entitled Black Boys Look Blue. In Moonlight we follow Shyrone through three chapters of her life, following three phases of her life that are distinct in form and execution. The story is as much about masculinity portrayed as it is about growing up gay. And in both cases, it aims to challenge commonly held stereotypes about black men. He is forced by his hypermasculine environment in Miami to deny those feelings and his sexuality. Even if you don't feel the same emotions, this taps into a lot of emotions that we all might feel because we are all different people at different stages in our lives. We say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay The film is notable for its three-act structure. This highlights the fragility, mutability and complexity of a person's identity over time. By choosing three different actors for the three different moments of Shyrone's life. It begins with the lost young Little, whose nicknames are an insult thrown at him and a name he must reject. Teenager Sygone dealing with her mother's worsening addictions. And finally the hardened Black who wears a gangster's fasaud to repress himself. This reinstates the idea that we are not all the same people at the stages of our lives. This continuity between the actor's performances, but to an outsider, they are not the same person. Choice explores the relationship between an external person and an internal person. Chiron's identity is always interacting in this community shaped by how they see and label him. And give back how he responds to that perception. As playwright McCraney stated, the key point of the story is that the community knows things about him before he knows them about himself. People want to put it in a category before they even understand what it means. The structure reveals the struggle for his self-awareness. Simultaneously with this event, there is the particular story of the young black man who is trapped by his society's expectations of masculinity. Meanwhile, he manages to escape a force in person with the help of some who throw him a lifeline. Also based on Terrell's work, in the moonlight, black boys look blue. Director Barry Jenkins explains how to somehow adapt the show to camera work and sound. Moonlight created through him a triumph of expressive camera and sound. It's not just that it looks and sounds great. Every camera and sound design choice by Jenkins and cinematographer James Lassen has a clear purpose woven into the story. They are always working to express Chiron's internal world moment by moment. The opening scene gives us a sweeping, swirling shot, telling us that this martial law character, Ollie's Quan, is a big man about town and a drug dealer who is calm, cool and has status. Like the camera, it shows that he is calm. The scene after this one threw us into the opposite feeling of discomfort, with an extremely shaky handheld camera. It tells us that little is unsafe and insecure. We are placed in his perspective by the oppressive sound of stones and objects thrown at the door by the bullies. We feel how trapped and terrified he is. A couple of scenes later there is a scene at the table between Little, Quan and Quan's girlfriend, the sound is very low and the camera instead of cutting between the three, pans smoothly between Wan and.