“The Story of an Hour” is a short story in which Kate Chopin, the creator, displays an often incredible perspective on marriage. Mrs. Louise Mallard, Chopin's main character, encounters the thrill of opportunity as opposed to the devastation of death after learning of the death of her significant other. Later, when Mrs. Mallard discovers that her sweetheart, Brently, still lives, she realizes that any desire for opportunity no longer exists. The shocking development of her husband's reversed death instantly kills Mrs. Mallard. Released at the end of the 19th century, Kate Chopin's Story of an Hour in which the author clearly expresses the oppression in Victorian marriages through the specific literary device (human vs. human conflict); the resolution of the conflict (her vs. husband) is demonstrated by the character's development before and after her death. This conflict represented by the author is important in the story, because it offers an insight into what happened in early Victorian marriages. Not only being the backbone of the family, and should always behave like a lady, she has no idea that after her husband's death, she would obviously feel a sense of freedom. In addition to the conflict between man and man, the reader can also determine that there is a conflict taking place between man and society. This becomes evident because in the early days being an obedient wife made you the “perfect wife.” During the Victorian era, a woman was the archive of the family's ethical status, the person who could not only support the varieties of her children and spouse, but also their minds. After reading the story for a while we see who the main characters are. The purpose of the story was to show that even though marriages may seem like sunshine and rainbows, many times they are filled with oppression, loss of identity, and slavery in a way. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay While Chopin may connect with Mrs. Mallard's story, he does not do so personally. Chopin reveals the story through the voice of a narrator. The narrator is not just a spectator, however. The narrator knows, for example, that Mrs. Mallard, in general, did not adore her significant other. Clearly the narrator knows more than can be physically observed. Chopin, however, never tells the reader how Mrs. Mallard feels. Rather, the reader must investigate Mrs. Mallard's activities and words so as to understand what Mrs. Mallard feels. Mallard illustrates the deprivation of righteousness that Victorian wives endured in their society. As Mrs. Mallard transforms into Louise, she represents her companions' ability to hope for a better world outside the confines of marriage. Discovering the accident and her husband's death, her individuality in this incompatible lifestyle, neither Louise nor Mrs. Mallard could live while the other survived. Now they could be one and at peace. With her transformation from a man's wife and master of his life's soul, Louise Mallard is unwittingly destroyed in both her private and social selves to escape the world she had just transcended into. Louise Mallard's hour-long story surrounding the idea of ​​the down-on-his-luck life of the downtrodden, desperate, desperate Victorian housewife. Even though Mrs. Mallard adored her husband and although he treated her properly, she still felt a sense of confinement in her marriage. Initially, the reader realizes this in lines 10-11 when the author says, “As he surrendered, a little whispered word escaped his slightly parted lips. He said it over and over again.